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Category: Top Story

  • Gold Barbra by Deborah Kass

    “You paint the whole background, you screen it lightly once. You paint in what needs to be painted in, and then you screen it again. Just like Andy did it.” 1 In 1992, Deborah Kass ran a glossy film still through the only large Xerox machine in New York’s East Village. She had found the […]

    Cecilia Wichmann | 08.19.2020
  • Spray Paint, Surprise, and Wonder

    Looking at the work of Katharina Grosse What?! She made that with paint? That’s a lot of paint! She did that on a house?! These are the reactions I received when I showed my young daughters a photograph of Katharina Grosse’s Rockaway, the artist’s 2016 commission for MoMA PS1—a transformation of the derelict Fort Tilden […]

    Virginia Anderson | 04.10.2020
  • How the Black Abstract Exhibition Moves America Away from Anemic Art History

    Editor’s Note: This essay was originally written for a guidebook that accompanies Generations: A History of Black Abstract Art. The book is available for free to all exhibition visitors. You can read more from Bridget R. Cooks in her award-winning book Exhibiting Blackness. With the occasion of Generations: A History of Black Abstract Art comes […]

    Bridget R. Cooks | 10.03.2019
  • A Secret Map and Layers of Meaning

    “Here I have a story about the Emancipation of people in needle and thread and fabric,” Joyce J. Scott has said about Plantation, a quilt that her mother created.   Plantation depicts two perspectives—one of a starry night sky, and the other of the fields below—collapsed together into a single composition. The constellation of stars […]

    Melanie Martin | 05.15.2019

Jay McKean Fisher’s Legacy

Candice Breitz: Too Long, Didn’t Read

In Conversation with Mickalene Thomas